Terry Morello October 02, 2000
The UCLA Hammer Museum will host Filmforum’s fall number of film and video screenings Tuesday nights at 7 p.m. Hammer galleries are open until 7 p.m. so visitors can easily see the Museum’s exhibitions prior to the screenings. There won’t be any screenings October 31 and November 28.
Filmforum, a nonprofit organization founded in 1975, is Los Angeles’ only true presenter of subterranean and avant-garde film and video. Filmforum is devoted to showcasing work by new and emerging artists who’re redefining film and video as artistic representations. Filmforum also presents important historic works to supply a context with this redefinition.
The series will start on March. 10 having a rare screening of the lost classic, Jack Chambers’ 1970 film, The Hart based in london, a sprawling, ambitious film that Stan Brakhage known as among the great films of cinema.
Whenever possible, Filmforum in the Hammer have a dialogue using the filmmakers. On March. 17 filmmaker Fu-Ding Cheng is going to be gift for a six-film retrospective. On March. 24 artist Amie Siegel will screen her film, The Sleepers (1999, forty-five minutes), and browse poems from her book, The Waking Existence. On November. 14 video artist Erika Suderberg will show and discuss Somatography, her new work that examines the character of storytelling with regards to the town of La like a site of memory, background and political definition. On 12 ,. 12 La video artist Tran T. Kim-Trang will show her five videos, including her newest work, ekleipsis, an experimental documentary about several Cambodian women in Lengthy Beach, Calif.
referred to as largest number of hysterically blind people on the planet.
The Filmforum series will conclude 12 ,. 19 having a live video mix by Animal Charm (Jim Fetterley and Wealthy Bott). Covering Animal Charm for that 1998 New You are able to Video Festival, Gavin Cruz described their tapes as mind-bendingly inventive experiments in uncanny, surreal montage … [The work they do] is really a tour de pressure of incongruous juxtapositions, startling dislocations and ingenious visual rhymes.
Other Filmforum programs are: on November. 7, Chicago based filmmakers Zack Stiglicz and Shellie Fleming on November. 21, a course of recent experimental films as well as on 12 ,. 5, The Unstable Personal: representations in history, featuring videos by Sarah Jane Lapp with Jenny Perlin, Erika Mijlin and Kathryn Ramey.
Admission is $5 free for Museum or Filmforum people. Screenings occur every Tuesday night at 7 p.m. in Museum Gallery 6, March. 10 through 12 ,. 19 (except March. 31 and November. 28).
To get a duplicate from the UCLA Hammer Museum program calendar, please call Sara Mizuno, outreach coordinator at (310) 443-7010.
Exhibitions in view in the UCLA Hammer from March. 4, 2000-Jan. 7, 2001:
The United nations-Private House
The United nations-Private House examines 26 contemporary homes with a roster of worldwide architects whose designs reflect the transformation from the private house as a result of altering cultural conditions and up to date architectural innovations. This exhibition was organized by Terence Riley, Chief Curator, Department of Architecture and style in the Museum of contemporary Art, New You are able to.
Architects incorporated within the exhibition are: Shigeru Ban Michael Bell Preston Scott Cohen Xaveer de Geyter Architectenbureau Francois de Menil Neil M. Denari Diller + Scofidio Winka Dubbeldam, Archi-Tectonics Farjadi Farjadi Architects Guthrie + Buresh Architects Thomas Hanrahan and Victoria Meyers Hariri Hariri Herzog de Meuron Steven Holl Architects Kolatan/MacDonald Studio Frank Lupo/Daniel Rowen MVRDV Michael Maltzan Architecture Rem Koolhaas, Office for Metropolitan Architecture Joel Sanders Scogin Elam and Bray Architects SANAA/Kazuyo Sejima, Ryue Nishizawa Associates Clorindo Testa Bernard Tschumi United nations Studio/Van Berkel Bos and Simon Ungers with Thomas Kinslow.
Live Dangerously is definitely an exhibition featuring the job of UCLA faculty people Dana Cuff, Wes Johnson, Greg Lynn, Thom Mayne, Dagmar Richter, Robert Somol and Anthony Vidler curated by Sylvia Lavin and produced together with graduated pupils within the Department of Architecture and concrete Design, College of California, La (UCLA). The show presents designs for existence these days and can concentrate on such issues because the integration of recent technologies in to the domestic setting, contemporary and future modes of producing, and emerging realignments between your private and public spheres. The exhibition helps guide you the educational context not just trains generations to come of architects but additionally supplies a method for critical research to tell the practices of architects working today.
Hammer Projects by:
Museum Hrs: Tuesday, Wednesday, Friday and Saturday, 11 a.m.-7 p.m. Thursday, 11 a.m.-9 p.m. Sunday, 11 a.m.-5 p.m. closed Mondays, This summer 4, Thanksgiving, Christmas and New Year’s Day.
Admission: $4.50 for adults $3 for seniors (65+), non-UCLA students, UCLA faculty/staff and Alumni Association people $1 for UCLA students free for Museum people and kids 17 and under. Admission is free of charge for everybody on Thursdays. Access for those who have disabilities is supplied.
Location/Parking: The Museum is situated at 10899 Wilshire Blvd. Parking can be obtained underneath the Museum. Minute rates are $2.75 for that first three hrs with Museum stamp $1.50 for every additional twenty minutes. There’s a $3 predetermined fee after 6 p.m. on Thursdays. Parking for those who have disabilities is supplied on levels P1 and P3.
Docent Tours: Led around the altering exhibitions can be found on Saturday or sunday at 1 p.m. and Thursday at 6 p.m. Led around the permanent collections can be found Sunday at 2 p.m. Categories of 20 or even more by appointment only. For reservations and knowledge, call (310) 443-7041.
Occidental Oil Corporation has partly endowed the Museum and built the Occidental Oil Cultural Center Building, which houses the Museum.
For information: VOICE, (310) 443-7000 TTY, (310) 443-7094.
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