Subject #1
Show how Hemingway uses setting to show his characters’ moral and ethical standards.

Outline
I. Thesis Statement: Hemingway uses a number of settings to show various characters’ attitudes about existence.

II. Paris
A. Excessive consuming
B. No religion
C. Idle wealthy
D. Abnormal sexual practices

III. Pamplona
A. Bullfighting
B. Cathedrals along countryside
C. Aficinados

IV. Burguete
A. Fishing
B. Communing with nature
C. Harris

V. San Sebastian
A. Relaxation
B. Swimming
C. Bicycle race

Mire. Madrid
A. All roads lead there
B. Involves terms with Brett
C. Would go to Brett’s save

Subject #2
Show how Stein’s “lost generation” is symbolized within the novel. So how exactly does Hemingway experience them?

Outline
I. Thesis Statement: By concentrating on various characters’ injuries, Hemingway shows the possible lack of productivity and morals from the “lost generation.”

II. Mike
A. War injuries
B. Impotent
C. Not able to fulfill his real love

III. Brett
A. Lost love
B. Alcoholic
C. Cannot find/keep real love
D. In abusive relationships

IV. Count Mippopolous
A. War injuries
B. Self-satisfying
C. Shallow

V. Michael
A. War injuries
B. Alcoholic
C. Financially bankrupt
D. Morally bankrupt
E. Mean to Robert

Subject #3
Show how Hemingway uses religion to show Jake’s code and the breach from it.

Outline
I. Thesis Statement: Hemingway utilizes a religious framework to build up Jake’s code and the breach from it.

II. Fishing in Burguete
A. Breaking of the bread-like scene
B. Appreciation of nature
C. Simple desires

III. Catholicism
A. On train to Burguete
B. Jake’s praying
C. Various cathedrals
D. Jake’s religion of record

IV. Pedro
A. Priest figure
B. Leader of three matadors
C. Aficinado

D. Monastic room

V. Brett
A. Mary Magdalene figure
B. Sees she deserves Mike, not Romero
C. Attempts to pray for Romero
D. Not able to create inner conversion

Mire. Montoya
A. Lounging on of hands
B. Secret with Mike
C. Aficinado
D. Disapproves of Jake’s crime

VII. Bullfighting
A. Ritualistic
B. Spiritually awakening
C. Supported by extreme emotion

So how exactly does Hemingway reveal that Mike is insecure about his maleness at the start of the novel?

Mike doesn’t mention his insecurities directly. We have to look for details about them in the reactions and descriptions of others. Mike requires a condescending attitude toward Cohn. His descriptions cast Cohn like a weak, unskilled man. Mike’s contempt appears to arise partially from Cohn’s feminized status. He characterizes Cohn as timid and simply controlled with a strong lady like Frances. This focus on Cohn’s insufficient maleness is visible like a reflection of Mike’s own insecurities about his manhood. Also, Mike resents the audience of male buddies that Brett dances in the club. His statements about the subject subtly imply that they’re homosexuals. Brett can “securely” get drunk around them, for example, because other product curiosity about getting sex together with her. Mike knows that he ought to be “tolerant,” but admits that he’s actually “disgusted” by them. His irrational disgust likely comes from his thought of them as unmanly, illustrating his worries about their own manliness. Thus, Hemingway uses Mike’s contempt for Cohn’s feeble maleness and the result of abhorrence toward Brett’s homosexual buddies to show his concern with their own maleness.

Compare Mike’s relationship to Brett with Cohn’s relationship to Frances.

Mike adopts a patronizing attitude toward Cohn, particularly when he describes Cohn’s interactions with females. At the start of the novel, Frances dominates Cohn, and her wishes overrule his. Due to Frances’s domination of Cohn, Mike appears to lack respect for him. But Mike’s exposure to Brett is really quite much like that between Cohn and Frances. Mike would like to complete anything for Brett. He enables her to rely on him for emotional support after which abandon him for other men. He even helps facilitate her affair with Pedro Romero. Cohn eventually breaks with Frances despite her verbal abuse, they can finish his exposure to her. Mike, however, is simply too mounted on Brett to ever forget about her, despite her mistreatment of him. Thus, somewhat, Cohn is more powerful in the exposure to Frances than Mike is within his with Brett.

How’s Count Mippipopolous like Mike and the buddies? How’s he different?

Like Mike and the buddies, the count has witnessed a lot of violence. He’s survived seven wars and 4 revolutions. He’s also an expatriate, a Greek man living abroad. In addition, he likes to seek pleasure, just like Mike and the buddies. However, unlike the people from the Lost Generation, he appears to really enjoy these pleasures. Mike and the buddies are engaged so that they can your investment war as well as their unhappiness by consuming themselves into oblivion while filling their free time with social appointments. The count, however, enjoys food, wine, and getting together with buddies. This stuff satisfy him making him happy. He covets Brett, however this desire doesn’t torment him because it does Mike, Cohn, and Mike. He’s happy to enjoy her company as he can. Thus, as the count has basically exactly the same lifestyle as Mike and the buddies, he derives pleasure from this while they don’t, and he isn’t a target of the disillusioned cynicism.

1. Compare Mike and Cohn. So how exactly does the truth that Mike visited war and Cohn didn’t make sure they are not the same as one another? What characteristics will they share with the remainder of the acquaintances? Could it be safe to both of them outsiders?

2. Bill informs Mike that “[s]ex explains everything.” How much is Bill’s statement the case with the novel The Sun’s Rays Also Increases ?

3. Discuss the portrayal of Lady Brett Ashley. Is she a supportive character? Is she an optimistic female example? Does she treat her male buddies cruelly?

4. Read carefully and evaluate among the longer passages by which Hemingway describes bulls or bullfighting. What type of language does Hemingway use? Will the passage have symbolic options? When the bullfighting passages don’t advance the plot, how can they function to build up styles and motifs?

5. Evaluate the novel poor The First World War. So how exactly does the expertise of war shape the figures as well as their behavior? Check out the variations between your veterans, like Mike and Bill, and also the nonveterans, like Cohn and Romero.

6. Exactly why is Cohn verbally mistreated so frequently within the novel? Could it be while he is Jewish? How come Mike attack Cohn although not Mike, whom Brett really loves? How come Cohn accept a lot abuse?

7. Discuss the issue of communication within the novel. Why do so hard for that figures to talk frankly and honestly? With what conditions is it feasible to allow them to speak freely? What are the figures who say what is on their own mind? If that’s the case, how are these figures much like one another?