Jennifer Scappettone is really a poet, translator, and scholar dedicated to the mix-contamination of those modes of inquiry. Her poetics encompass other nonlinguistic or semilinguistic types of making for example filming, ripping, pixelating, gluing, salvage, sewing, soundscape production, durational gesture, and choral song, frequently with regards to documentary projects. Her poetry collections include From Dame Rapidly (printed by Litmus Press in ’09) and also the mix-media book The Republic of EXIT 43: Outtakes and Scores from an The archaeology of gortyn and Pop-Up Opera from the Corporate Dump, forthcoming in Fall 2016 from Atelos Press. She’s the writer of countless chapbooks: Beauty [May be the New Absurdity] (dusi/e chap kollektiv, 2007), Err-Residence (Bronze Skull, 2007), and Factor Ode / Ode oggettuale (La Camera Verde, 2008), converted into Italian in dialogue with Marco Giovenale. She edited Belladonna Elders Series #5: Poetry, Landscape, Apocalypse (Belladonna, 2009), featuring her pop-ups and prose and new writing by Etel Adnan and Lyn Hejinian. Her poetry is featured in a variety of anthologies, including The Very Best American Experimental Writing 2016, edited by Charles Bernstein and Tracy Morris (forthcoming) Novas Poticas de Resistncia/Poetics of Resistance, edited by Graa Capinha EX_IT:Materiali fuori contesto (La Colornese—Tielleci, 2013), Emergency Index, a documentary performance anthology (Ugly Duckling Presse, 2012), La alteracin del silencio: Poesa norteamericana reciente (Das Kapital, 2010), and The Very Best American Poetry 2004 (Scribner, 2004). She is a fellow in the Bogliasco Foundation, the Millay Colony, the Djerassi Resident Artists Program, the interdisciplinary Nature, Art, Habitat residency, the iLAND foundation, the Getty Research Institute, the Huntington Library, the Wesleyan Center for that Humanities, the Townsend Center for that Humanities, and also the American Academy in Rome.

Her translations in the Italian from the polyglot poet and musicologist Amelia Rosselli were collected in Locomotrix: Selected Poetry and Prose of Amelia Rosselli . and won the Academy of yankee Poets’s biennial Raiziss/De Palchi Book Prize and also the Italian Secretary of state for Foreign Matters Translation Prize she’s now at the office on translations from the futurist F.T. Marinetti and feminist Carla Lonzi. She founded, and today curates, PennSound Italiana. a brand new sector from the audiovisual archive based in the College of Pennsylvania dedicated to experimental Italian poetry.

Recent writings are available in journals for example alfabeta2, Asymptote, Boston Review, boundary2, Critical Inquiry, Jacket2, Nuovi argomenti, and PMLA, and also at Harriet: Your Blog. Installation pieces were exhibited most lately at Una Vetrina Gallery in Rome and WUHO Gallery in La, and she or he has collaborated on multidisciplinary performance works together with an array of musicians, architects, and dancers: on performances of Exit 43 using the Difforme Ensemble (Marco Ariano, Renato Ciunfrini, Roberto Fega) around the performance work PARK, with choreographer Kathy Westwater and architect Seung Jae Lee, presented this year-13 at Dance Theater Workshop/New You are able to Live Arts, Reed College, Movement Research, LentSpace, Pratt Institute, and Fresh Kills Landfill and X Locus, twinned installations for that courtyard and tract of Trajan’s aqueduct in the American Academy in Rome, made with AGENCY Architecture (Ersela Kripa and Stephen Mueller) and composer Paul Rudy, this year.

She’s presently discussing a Mellon Fellowship for Arts and Scholarship using the code artist Judd Morrissey and mix-media artist Caroline Bergvall in the Grey Center for Arts and Inquiry to operate on the project going through the poetics and politics of air known as The Information That People Breathe.

Killing the Moonlight: Modernism in Venice, her study from the outmoded town of lagoons like a crucible for experiments across literature, politics, urbanism, and also the visual arts, was printed by Columbia College Press in 2014, and received Honorable Mention within the Modernist Studies Association’s annual book award competition. She’s also Affiliate Professor of British and Romance Languages and Literatures along with a Faculty Affiliate from the Center for study regarding Gender and Sexuality.