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Riba silver medal dissertation proposal

Riba silver medal dissertation proposal site of Pagan

On 25 Feb 2014, Frederick Rykwert. this year’s Royal Gold Medallist . was became a member of by Stephen Hodder (RIBA President), David Gloster (RIBA Director of your practice), and Alexandra Stara (Kingston College and Chair from the RIBA President’s Dissertation Medal knowing panel) to create the panel from the 2014 RIBA Royal Gold Medal Student Crit. The crowd comprised esteemed academics and designers, and lots of of Rykwert’s peers wanting to hear the presentations in the three President’s Medals winners.

Right to left: Tamsin Hanke (2013 RIBA President’s Dissertation Medallist), Liness Lafoy (2013 RIBA President’s Bronze Medallist), Frederick Rykwert (2014 RIBA Royal Gold Medallist), and Ben Hayes (2013 RIBA President’s Silver Medallist)

Following a presentations of the medal-winning records by Tamsin Hanke (2013 President’s Dissertation Medallist ) and Liness Lafoy (2013 President’s Bronze Medallist ), it had been Ben Hayes ’s use present his design project focus on ‘Kizhi Island ’. He reported how Russia was trying to facilitate the restoration of places of worship included in a pursuit on national heritage, landscape and identity, however that there is a serious insufficient funding.

Using a variety of landscape works of art like a beginning point for his research, Ben discovered the depiction of the sublime tranquility of architecture inside a context of nature moored by religious undertones. He considered the outcome of collectivisation in Northern Russia, and just how using the desertification of farms, there weren’t trained people left who could keep up with the places of worship.

Ben Hayes presenting his medal-winning project

Ben’s proposal for this situation ended up being to create an architectural intervention that addressed much deeper problems with restoration, for example set up places of worship ought to be restored within their current location.

Riba silver medal dissertation proposal question from the audience

However, without any-one left to keep any restoration, this didn’t appear just like a viable solution. Rather, he investigated the potential of disassembly, shipping and reassembly, a choice that might be simpler to sustain as the making of the places of worship made disassembly easy. The website grew to become Kihzi Island because it already were built with a couple of places of worship in the 1950s, and it was a functioning (although small) open-air museum, where places of worship were already being restored.

While researching locations having a similar profile, Ben learned that the opportunity to change and to possess a dialogue using the neighborhood was answer to realising his intent, because the least effective museums were individuals which were stagnant and archival. He checked out three-dimensional and sectional forms to think about which kind of architecture allows for restoration, and subsequently designed a number of structures. Restoration hangars specified for included in the cataloguing procedure, because the places of worship might be split into five types. The style of each hangar was clearly informed by design for places of worship within them. Ben described that his inspiration with this design would be a story of the church that were restored because they build another church around it as being a type of ‘outer skin’. He earned the hangars habitable for craftsmen, because he also wanted the area for hosting research centres and laboratories.

After restoration, Ben attempted to produce a light and versatile infrastructure which may permit a continuing curation tactic to exhibit the places of worship around the island some would remain as permanent features, while some could be temporary.

Riba silver medal dissertation proposal The site became         Kihzi Island

Ben then summarized his presentation by explaining the way the materiality and form have been informed by structures already around the island. He described how he’d created a number of scales and models, and it was now focusing on a scale 1-to-1 model included in a collaborative project because of his research. He concluded by stating how important he felt the work was to be able to raise awareness and make change of important issues connected with restoration.

Frederick Rykwert was the first one to discuss Ben’s presentation, and that he began by querying if the island was populated, that Ben responded there were about 12 people around the island employed by the present museum. Frederick requested whether there was any thought on other ways of repopulating the area, and Ben clarified by describing the way the island was really a site of Questionnable worship previously however that depopulation was inevitable in the current condition.

Alexandra Stara recognized Ben’s work, describing it as being an ‘extraordinary project’ which was very eloquently presented. She challenged the museum proposal for the reason it had become decontextualizing and aestheticizing places of worship, a thing that Ben had criticised at the start. She wondered if Ben had considered every other options, possibly like a school for that training of restoration. Ben agreed it had become something he’d considered, and also to address he had incorporated accommodation for researchers and students. He described that whenever his initial research he found a paradoxical situation coupled with to barter this dead stop in the proposal by a little bit of everything. He contended the places of worship were already decontextualized without any-one with them within their unique circumstances, and that he had realized he needed to marry up reality against his initial research.

David Gloster commented that three projects had worked with flight from established communities, which social agenda like a theme was emerging within the student work posted for that RIBA President’s Medals during the period of the final 5 or 6 years. Then he requested Ben what he’d in your mind for future years from the hangars. Ben felt the hangars were built with a liminal quality, although at some point within the project they were almost solely industrial. He described the plan could be for that hangars to stay around the island because of the constant condition of maintenance that might be necessary.

Stephen Hodder selected on David’s comment concerning the social agenda theme and reflected that there was a RIBA Building Futures report a couple of years back which had known as for architects to reply to this.

An issue in the audience voiced concern the project was missing in political agenda, and pointed to St Fagans National History Museum in Cardiff for example in which a political issue had made the work more sustainable. Ben countered by having an example in Williamsburg. which took it’s origin from a perception of nationalisation. He contended this was now outdated, and battling to evolve. He described he wanted his model to provide versatility without having to be prescriptive, coupled with offered an answer by means of an easy infrastructure allowing movement. He figured he was uneasy about while using currency of culture inside a political way.

Ben Hayes answering questions in the audience

Another question in the audience requested if Ben had considered the good thing about decay, and whether this have been the driving pressure behind undertaking a task such as this. Ben agreed the photographs and imagery were romantic, but mentioned that the professional photographer had recognised he wouldn’t have anything left to photograph when the decay ongoing. Ben considered the dilemma between if you should restore, conserve or preserve. He felt the position he’d taken was to match the 3 approaches.

The 3 projects been successful in demonstrating what it really was which had attracted the idol judges towards these records. The job and clearness of vision was presented clearly using the students coping with difficult questions make up the panel adeptly. The relevance underpinning these projects offered to strengthen towards the audience the significance of contemporary methods to architecture and also to architectural education by getting students engaging with pertinent social agendas.

(Compiled by Hayley Russell)

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