Jordan Brower: “A Literary Good reputation for the Studio System, 1911-1950” directed by Wai Chee Dimock, JD Connor, and Joe Cleary

Ryan Carr: “Expressivism in America” directed by Michael Warner, Caleb Cruz, and Paul Fry

Megan Eckerle: “Speculation and Amount of time in Late Medieval Visionary Discourse” directed by Jessica Brantley and Alastair Minnis

Gabriele Hayden: “Routes and Roots from the ” New World ” Baroque: U.S. Modernist Poets Translate from Spanish” directed by Landon Hammer and Wai Chee Dimock

Matthew Hunter: “The Quest for Style in Shakespeare’s Drama” directed by David Kastan, Lawrence Manley, and John Walsh

Leslie Jamison: “The Retrieved: Addiction and Truthfulness in twentieth century American Literature” directed by Wai Chee Dimock, Amy Hungerford, and Caleb Cruz

Jessica Matuozzi: “Double Agency: A Multimedia Good reputation for world war 2 on Drugs” directed by Jacqueline Goldsby, Amy Hungerford, and Anthony Reed

Aaron Pratt: “The Status of Printed Playbooks at the begining of Modern England” directed by David Kastan, Lawrence Manley, and Keith Wrightson

Madeleine Saraceni: “The Concept of Writing for ladies at the end of Medieval Literature” directed by Jessica Brantley, Ardis Butterfield, and Alastair Minnis

J. Antonio Templanza: “Know to understand Forget About: The Composition of Understanding in Milton’s Epic Poetry” directed by John Rogers and Paul Fry

Andrew Willson: “Idle Works: Unproductiveness, Literature Labor, and also the Victorian Novel” directed by Janice Carlisle, Stefanie Markovits, and Ruth Yeazell

Melina Moe: “Public Intimacies: Literary and Sexual Reproduction within the Eighteenth Century” directed by Katie Trumpener, Wendy Lee, Jonathan Kramnick, and Jill Campbell

Merve Emre: “Paraliterary Institutions” directed by Wai Chee Dimock and Amy Hungerford

Samuel Fallon: “Personal Effects: Personal and Literary Culture in Elizabethan England” directed by David Kastan, Catherine Nicholson, and Lawrence Manley

Edgar Garcia: “Deep Land: Hemispheric Modernisms and Indigenous Media” directed by Wai Chee Dimock, Langdon Hammer, and Anthony Reed

Jean Elyse Graham: “The Book Unbound: Print Logic between Old Books and New Media” directed by David Kastan, Catherine Nicholson, and R. John Johnson

Len Gutkin: “Dandiacal Forms” directed by Amy Hungerford, Mike See, and Katie Trumpener

Justin Sider: “Parting Words: Address and Exemplarity in Victorian Poetry” directed by Linda Peterson, Leslie Brisman, and Stefanie Markovits

William Weber: “Shakespearean Metamorphoses” directed by David Kastan

Thomas Koenigs: “Fictionality within the U . s . States, 1789-1861” directed by Michael Warner, Jill Campbell, and Caleb Cruz

Andrew Kraebel: “English Traditions of Scriptural Critique and Translation within the Later Middle Ages” directed by Alastair Minnis, Jessica Brantley, and Ian Cornelius

Tessie Prakas: “The Office from the Poet: Ministry and Verse Practice within the Seventeenth Century” directed by John Rogers, David Kastan, and Catherine Nicholson

Nienke Christine Venderbosch: “‘Tha Com more under Misthleothum Grendel Gongan’: The Scholarly and Popular Reception of Beowulf ’s Grendel from 1805 to the current Day” directed by Roberta Frank and Paul Fry

Eric Weiskott: “The Durable Alliterative Tradition” directed by Roberta Frank, Alastair Minnis, Ian Cornelius

Anthony Domestico: “Theologies of Crisis in British Literature from the Interwar Period” directed by Amy Hungerford and Pericles Lewis

Glyn Salton-Cox: “Cobbett and also the Comintern: Transnational Provincialism and Revolutionary Desire in the Popular Front towards the New Left” directed by Katie Trumpener, Katerina Clark, and Joe Cleary

Samuel Alexander: “Demographic Modernism: Character and Quantification in Last Century Fiction” directed by Professors Pericles Lewis and Craig McCrea

Andrew Karas: “Versions of contemporary Poetry” directed by Professors Paul Fry and Langdon Hammer

James Ross Macdonald: “Popular Religious Belief and Literature at the begining of Modern England” directed by Professors David Kastan and John Rogers

Michael Komorowski: “The Arts of great interest: Private Property and also the British Literary Imagination in age Milton” directed by Professors David Quint and John Rogers

Nathalie Wolfram: “Novel Play: Medieval Performance and the building of 18th Century Fiction” directed by Professors Frederick Roach and Katie Trumpener

Michaela Bronstein: “Imperishable Awareness: The Save of Meaning within the Modernist Novel” directed by Professors Ruth Yeazell and Pericles Lewis

David Currell: “Epic Satire: Structures of Heroic Mockery at the begining of Modern British Literature” directed by Professor David Quint

Andrew Heisel: “Reading in Darkness: Sacred Text and Appearance within the Lengthy Eighteenth Century” directed by Professors Jill Campbell and Elliott Visconsi

Hilary Menges: “Authorship before : The Monumental Book, 1649-1743” directed by Professors Jill Campbell and John Rogers

Nathan Suhr-Sytsma: “Poetry and the building of the Anglophone Literary World, 1950-1975” directed by Professors Wai Chee Dimock and Langdon Hammer

Patrick Grey: “The Passionate Stoic: Subjectivity in Shakespeare’s Rome” directed by Professors Lawrence Manley and David Quint

Christopher Grobe: “Performing Confession: American Poetry, Performance, and New Media 1959” directed by Professors Amy Hungerford and Frederick Roach

Sebastian LeCourt: “Culture and Secularity: Religion within the Victorian Anthropological Imagination” directed by Professors Linda Peterson and Katie Trumpener

Laura Saetveit Miles: “Mary’s Book: The Annunciation in Middle England” directed by Jessica Brantley and Alastair Minnis

Stephen Tedeschi: “Urbanization in British Romantic Poetry” directed by Professors Paul Fry and Christopher R. Miller

Julia Fawcett: “Over-Expressing the Self: Celebrity, Shandeism, and Autobiographical Performance, 1696-1801” directed by Professors Jill Campbell and Frederick Roach

Daniel Gustafson: “Stuart Restorations: History, Memory, Performance” directed by Professor Frederick Roach and Elliott Visconsi

Sarah Mahurin: “American Exodus: Migration and Oscillation in the current American Novel” directed by Professors Wai Chee Dimock and Robert Stepto

Erica Levy McAlpine: “Lyric Elsewhere: Tricks of Poetic Remove” directed by Professors David Bromwich and Langdon Hammer

Sarah Novacich: “Ark and Archive: Narrative Enclosures in Medieval and Early Modern Texts” directed by Professors Roberta Frank and Alastair Minnis

Jesse Schotter: “The Hieroglyphic Imagination: Language and Visuality in Modern Fiction and Film” directed by Professors Peter Brooks and Pericles Lewis

Matthew Vernon: “Strangers inside a Familiar Land: The Medieval and African-American Literary Tradition” directed by Professor Alastair Minnis

Chia-Je Weng: “Natural Religion and it is Discontents: Critiques and Revisions in Blake and Coleridge” directed by Professors Leslie Brisman and Paul Fry

Nicole Wright: “‘A contractile power’: Limitations of Character and also the Culpable Self within the British Novel, 1750-1830” directed by Professors Jill Campbell and Katie Trumpener

Molly Farrell: “Counting Physiques: Imagining Population within the New World” directed by Professor Wai Chee Dimock

John Muse: “Short Attention Span Theaters: Modernist Shorts Since 1880” directed by Professors Frederick Roach and Marc Robinson

Denis Ferhatovi: “An Early British Poetics from the Artifact” directed by Professor Roberta Frank

Colin Gillis: “Forming the standard: Sexology and also the Modern British Novel, 1890-1939” directed by Professors Laura Frost and Pericles Lewis

Katherine Harrison: “Tales Two times Told: Seem Technology and American Fiction after 1940” directed by Professor Amy Hungerford

Jean Otsuki: “British Modernism within the Country” directed by Professors Paul Fry and Margaret Homans

Erin Peterson: “On Invasion and Interruption: An Search for an earlier Modern Literary Mode” directed by Professor John Rogers

Patrick Redding: “A Distinctive Equality: The Democratic Imagination in Modern American Poetry” directed by Professors David Bromwich and Langdon Hammer

Emily Setina: “Modernism’s Darkrooms: Photography and Literary Process” directed by Professors Langdon Hammer and Pericles Lewis

Jordan Zweck: “Letters from Paradise within the Uk, 800-1500” directed by Professor Roberta Frank

Elizabeth Twitchell Antrim: “Relief Work: Help to Africa within the American Novel Since 1960” directed by Professor Wai Chee Dimock

Emily Coit: “The Trial of Abundance: Consumption and Morality within the Anglo-American Novel, 1871-1907” directed by Professors Catherine Labio and Ruth Bernard Yeazell

Andrew Goldstone: “Modernist Fictions of Aesthetic Autonomy” directed by Professors Langdon Hammer and Amy Hungerford

Matthew Mutter: “Poetry Against Religion, Poetry As Religion: Secularism and it is Discontents in Literary Modernism” directed by Professors David Bromwich and Pericles Lewis

Anna Chen: “Kinship Training: The Cultural Purposes of Childhood at the end of Medieval England” directed by Professors Jessica Brantley and Lee Patterson

Anne DeWitt: “The Purposes of Scientific Thinking and also the Realist Novel” directed by Professor Linda Peterson

Irina Dumitrescu: “The Instructional Moment in Anglo-Saxon Literature” directed by Professor Roberta Frank

Susannah Hollister: “Poetries of Geography in Postwar America” directed by Professors Paul Fry and Langdon Hammer

James Horowitz: “Rebellious Hearts and dependable Passions: Imagining Social Awareness in Ovidian Writing on Women, 1680-1819” directed by Professors Jill Campbell and Elliott Visconsi

Ben LaBreche: “The Rule of Friendship: Literary Culture and Early Modern Liberty” directed by Professors David Quint and John Rogers

Sarah Van der Laan: “What Virtue and Knowledge Can Perform: Homer’s Journey within the Renaissance Imagination” directed by Professor David Quint

Annmarie Drury: “Literary Linguists and Victorian Poetry” directed by Professor Linda Peterson

Jeffrey Glover: “People from the Word: Puritans, Algonquians, and also the Politics of Print at the begining of New England” directed by Professors Elizabeth Dillon and Wai Chee Dimock

Dana Goldblatt: “From Contract to Social Contract: Fortescue’s Governance and Malory’s Morte ” directed by Professors David Quint and Alastair Minnis

Kamran Javadizadeh: “Bedlam and Parnassus: Madness and Poetry in Postwar America” directed by Professor Langdon Hammer

Ayesha Ramachandran: “Worldmaking at the begining of Modern Europe: Global Imaginations from Montaigne to Milton” directed by Professors Annabel Patterson and David Quint

Jennifer Sisk: “Forms of Speculation: Religious Genres and spiritual Inquiry at the end of Medieval England” directed by Professor Lee Patterson

Ariel Watson: “The Anxious Triangular: Modern Metatheatres from the Playwright, Artist, and Spectator” directed by Professor Frederick Roach

Jesse Zuba: “The Form of Existence: First Books and also the Twentieth-Century Poetic Career” directed by Professors Langdon Hammer and Amy Hungerford

Rebecca Boggs: “The Jewel-Like Flame: the Appearance of Intensity in Hopkins, Crane, and H.D.” directed by Professor Langdon Hammer

Maria Fackler: “A Portrait from the Artist Manqu. Form and Failure within the British Novel Since 1945” directed by Professors Pericles Lewis and Ruth Bernard Yeazell

Melissa Ganz: “Fictions of Contract: Women, Consent, and also the British Novel, 1722-1814” directed by Professor Jill Campbell

Siobhan Phillips: “The Poetics every day Amount of time in Frost, Stevens, Bishop, and Merrill” directed by Professors David Bromwich and Langdon Hammer

Morgan Swan: “The Literary Construction of the Capital: Late-Medieval London and also the Impossibility of Self-Definition” directed by Professor Lee Patterson

Andrea Walkden: “Lives, Letters and History: Walton to Defoe” directed by Professors David Quint and John Rogers

Rebecca Berne: “Regionalism, Modernism and also the American Short Story Cycle” directed by Professors Wai Chee Dimock and Vera Kutzinski

Leslie Eckel: “Transatlantic Professionalism: Nineteenth-Century American Authors at the office within the World” directed by Professors Wai Chee Dimock and Jennifer Baker

Gregory Byala: “Samuel Beckett and also the Problem of Beginning” directed by Professors Paul Fry and Pericles Lewis

Eric Lindstrom: “Romantic Fiat” directed by Professors David Bromwich and Paul H. Fry

Megan Quigley: “Modernist Fiction and also the Re-instatement from the Vague” directed by Professors David Bromwich and Pericles Lewis

Randi Saloman: “Where The fact is Important: The Current Novel and also the Essayistic Mode” directed by Professors David Bromwich and Laura Frost

Michael Wenthe: “Arthurian Outsiders: Heterogeneity and also the Cultural Politics of Medieval Arthurian Literature” directed by Professor Lee Patterson

Christopher Bond: “Exemplary Gallantry and Christian Redemption within the Epic Poetry of Spenser and Milton” directed by Professors David Quint and John Rogers

Lara Cohen: “Counterfeit Presentments: Fraud and producing Nineteenth-Century American Literature” directed by Professors Elizabeth Dillon and Wai Chee Dimock

Nicholas Salvato: “Uncloseting Drama: Modernism’s Queer Theaters” directed by Professors Frederick Roach and Michael Trask

Anthony Welch: “Songs of Dido: Epic Poetry and Opera in Seventeenth-Century England” directed by Professor David Quint

Brooke Conti: “Anxious Functions: Religion and Life story at the begining of Modern England” directed by Professor Annabel Patterson

Brett Promote: “The Metropolis of Popery: Writing of Rome within the British Renaissance” directed by Professors Lawrence Manley and David Quint

Curtis Perrin: “Langland’s Comic Vision” directed by Professor Traugott Lawler